The writhing, noisily precise post-hardcore of Brooklyn's Multitudes would have sounded right at home on SST in the mid-'80s, when bands like Black Flag and the Minutemen were mashing up punk and jazz and coming up with their own fiery response to mainstream fusion.
-- Time Out New York
Instrumental power trio Pat Foley on guitar (Flakes), Alex Lambert on drums (Blame Game), and Brian House on bass (The Shot Heard 'Round the World) imagine an alternate universe where Albert Alyer is a hardcore kid and Captain Beefheart plays afrobeat. Multitudes recently released a second CDR, an evolution of their improv-based excursions into a collection of alternately smart, blistering, and poignant songs entitled "How Things Fall."
-- N. Aisling
Multitudes began as the saturated grit of Atlanta and the stark light of Göteborg come together in the Brooklyn summer of 2007. Since conception, they have provided the beginning and end of a bad dream also known as 'right now.' They are a frightening, bottomless grab bag of unexpected free-jazz, prog and experimental. They are like that moment right before falling off the edge when, luckily, something catches us.
-- Basement Songs
ah that's nice stuff! Beefhearty riffs & Elvin Jonesy drums, mmmm tasty
-- jonas
I'm gonna start me a graveyard of my own
-- kb
yo that shit was off the hook skool session 101 to everyone out there. took us to school!! damn!
-- monsieur lyo
-- Time Out New York
Instrumental power trio Pat Foley on guitar (Flakes), Alex Lambert on drums (Blame Game), and Brian House on bass (The Shot Heard 'Round the World) imagine an alternate universe where Albert Alyer is a hardcore kid and Captain Beefheart plays afrobeat. Multitudes recently released a second CDR, an evolution of their improv-based excursions into a collection of alternately smart, blistering, and poignant songs entitled "How Things Fall."
-- N. Aisling
Multitudes began as the saturated grit of Atlanta and the stark light of Göteborg come together in the Brooklyn summer of 2007. Since conception, they have provided the beginning and end of a bad dream also known as 'right now.' They are a frightening, bottomless grab bag of unexpected free-jazz, prog and experimental. They are like that moment right before falling off the edge when, luckily, something catches us.
-- Basement Songs
ah that's nice stuff! Beefhearty riffs & Elvin Jonesy drums, mmmm tasty
-- jonas
I'm gonna start me a graveyard of my own
-- kb
yo that shit was off the hook skool session 101 to everyone out there. took us to school!! damn!
-- monsieur lyo